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The Replacement’s Edge: Here’s who we think should be AC/DC’s new ‘guest vocalist’

Last night, fans of AC/DC were thunderstruck when the legendary Australian hard rock band announced they were postponed 10 upcoming North American gigs due to the declining hearing of frontman Brian Johnson. Doctors have told the singer/screamer/grunter/prowler, who has fronted AC/DC since 1980, when he replaced the late Bon Scott, that he was at risk for “total hearing loss” if he did not stop touring immediately.

Given the age and various other health and legal issues surrounding AC/DC -- founding guitarist Malcolm Young left in 2014 due to increased dementia, while last year, drummer Phil Rudd was sentenced to eight months of home confinement on drug charges and being found guilty of threatening to kill a former employee -- Johnson's ailment appears to spell the end for the veteran group. But when AC/DC revealed the news last night, they stressed that the axed gigs were postponements and not cancellations. A press release declared that the stateside shows would be rescheduled for later in the year -- and, here is the bombshell, “likely with a guest vocalist.”

So, who should that vocalist be? This morning, we asked the Vanyaland staff who they think would be a perfect candidate to replace Johnson, and the responses ranged from the serious to the humorous to the most dangerous "candidate" of them all. Of course, this is all in good fun -- we all know Myles Kennedy will get the gig once he locks in the Stone Temple Pilots job.

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Jarvis Cocker of Pulp

By Michael Marotta

If there’s one knock on AC/DC, it’s that they’ve been essentially doing the same thing since 1980. Enlisting Pulp frontman Jarvis Cocker would quickly change all that, and with the Britpop band on hiatus and a solo career that seems rather idle for next year or so, Cocker taking on such classics like “You Shook Me All Night Long” and “Thunderstruck” would pull back the screechy howl of Aussie cock rock and add some sinister British enticement. Cocker already knows a thing or two about “Dirty Deeds Done Dirt Cheap” (see the Pulp classics “Acrylic Afternoons” and “I Spy”), and any seasoned classic rock crowd would no doubt gasp at his masterful control of the bicycle. But really, imagine Jarvis having a go at “You Shook Me All Night Long”, slowed down so hard Pulp-logo’d underwear would start falling off on its own on everyone from Sydney to Sheffield: “Working double time [breathes in], on the seduction line [breathes out]. She was one of a kind — oh, yeah — she was mine. All mine.” For those about to Pulp, we salute you.

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