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The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
Kathleen Madigan prepares a ‘Potluck’ of laughs for The Wilbur
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The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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Mic’d Up: Rodrigues strikes in Dorchester, Feltface returns to Seaport
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Tom A. Smith sets the tone for a breakout 2022 with debut single ‘Wolves’
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Cruel World 2022: Classic alternative and dark-pop music fest set to return
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1991 Forever And Ever: 91 classic albums turning 30 in 2021
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It’s a cruel world, but there will be no Cruel World festival in 2020
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Rebel Without a Body: James Dean to be digitally revived for ‘Finding Jack’
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Band in the USA: Courteeners unveil first stateside dates in 13 years
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Blossoms and Rick Astley team up for The Sound of The Smiths shows
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Class Actress covers The Weeknd, Mazzy Star, The Smiths on new EP
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Trying invite us to their indie-pop party on ‘This Is Not A Disco’
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Cruel World 2020: Classic alternative and darkwave come alive in SoCal
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‘Blinded by the Light’ Review: This sweet film isn’t just for Springsteen fans
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