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Mic’d Up: Robert Kelly, Anthony Jeslenik, Drew Lynch
The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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Who watches ‘The Watchers’ trailer? You, hopefully
The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
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Illicit Ghost embraces love that soars through the skyline on ‘Higher’
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The Solars tell ya ‘Thanks For the Gifts, But Those Groves Are Now Myths’
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Bottler and Samurai Velvet ride an alt-pop current behind ‘Soft Winds’
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Bootblacks take a dark spin through our own personal ‘Nostalgia Void’
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Fair Visions find a home under the shadows on ‘Feels Right’
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This Stream Is Today: Margaret Glaspy displays her ‘Devotion’
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Johnny Dynamite and the Bloodsuckers roll out smooth talk on ‘Triflin’ Kids’
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Middle Part ventures far and wide for indie-pop reflection on ‘Heartbeat’
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Miranda and the Beat shake up a garage-soul quarantine on ‘Such A Fool’
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Francis Aud takes us places we’re not allowed on ‘Take Me Home’
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Big Thief post unreleased music to raise money for tour crew
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Native Sun bring rock and roll into the 2020s with the roaring ‘Juarez’
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